The Fall 2017 Anime Preview Guide

GARO -VANISHING LINE-

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In the bustling metropolis of Russel City, a young girl named Sophie searches for her missing brother, her only clue being the mysterious words, “El Dorado”. All is not as it seems in the city, however, and Sophie soon discovers that it's infested with otherworldly demons known as Horrors. She also encounters Sword, the man sworn to combat these Horrors, whose work also revolves around discovering the truth behind “El Dorado”. Working with an enchanted ring/motorcycle named Zabura, Sword has been given the magical armor, strength, and superpowers of the legendary Makai Knight. Together, Sophie and Sword must work to unravel the mystery of “El Dorado” and rid Russel City of the Horrors that threaten to destroy it. GARO -VANISHING LINE- is an original anime work and streams on Crunchyroll, Fridays at 10:00 PM EST.

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James Beckett

Rating: 4

As is tradition with this franchise, Garo -Vanishing Line- is a standalone series focusing on a new setting and a new Makai Knight, so newcomers need not worry about jumping in. The protagonist of this particular iteration of the show is man whose name is Sword, and this first episode begins, apropos of nothing, with Sword getting into a fistfight with a demonic slug creature that seems to be mostly composed of a writhing mass of female breasts. Later, we see that this man, who looks like what would happen if the X-Men's Wolverine was 6'7” and ate steroids for breakfast, literally bows and gives thanks to God whenever he encounters a woman with a voluptuous chest. So, based this overload of Dudebro Macho-ness, you will have probably decided on whether you love or loathe Garo -Vanishing Line- before the opening credits have even started to roll.

Personally, I think I might kind of love it. This version of Garo is trading in the exact same kind of shlocky filth that Juni Taisen found so much success in. It is an unabashed love letter to the entertainment of days gone by, an homage to an era of anime where the only thing bigger than the women's breasts were the men's chests, and nighttime skylines and demon infestations reigned supreme; one look at Sword in all of his doofy, hypermuscular glory tells you everything you need to know about this show's intentions. I don't know what it is about this season's love affair with the old OVAs of the 80s and 90s, but I'm surprised at how much I'm digging it.

It helps that Garo looks pretty good in motion, even with all of its reliance on CG for its extended motorcycle chase sequences. Again, as is the case with Juni Taisen, Garo opts to for a messier style of animation that actually works in the show's favor, lending it an air of grime that only makes its 80s Manly Man aesthetic feel a bit more genuine. That final chase sequence with the serial killer Horror was a pretty intense and exciting affair, too, though I could have done without the excessive cutting and panning of the camera (which is the episode's one major visual flaw).

The core duo of Sophie and Sword also feels promising, although their interactions here in this first are very stock and trade, with Sophie serving as the audience surrogate that gets plunged into the grimdark world of Horror's and magically armored knights. The story in general is simple and easy to follow so far, serving as the same kind of monster-of-the-week setup that every version of Garo usually trades in. Time will tell if the overarching plot will hold up for the entire season, though the episodic action should make for good entertainment either way.

I won't pretend that Garo -Vanishing Line- is a great show, and to its credit, it isn't even trying to be. At one point in this premiere, Sword stuffs himself full of a veritable mountain of fries and the most comically large steak I've ever seen. Just like that meal, Garo is a heaping amount of savory, all-red-meat junk food that tastes pretty delicious in the moment, but is undoubtedly terrible for you. Different interpretations of Garo are always going to have their own flair; this season of aims to be Stupid with a capital S, and Fun with a capital F. Given how underwhelmed I've been with so many of this season's other premieres, I'm perfectly alright with that.

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Rebecca Silverman

Rating: 4

After the sheer torment that was Garo: Crimson Moon, I was very concerned that Garo -Vanishing Line- would be similarly lackluster. Boy, I was ever wrong, and I've never been more pleased to have my preconceptions smashed. While it definitely has some issues with misogyny (really, Zaruba? Women make your seat smell like make-up?), it's also a wild ride with badass characters, and setting the story in a contemporary city eliminates the need to fuss with historical and mythological figures, which was part of Crimson Moon’s downfall.

Also, boobs. This may not be how you thought you were getting your boob show this season, but the introductory moments of the episode has hero Sword fighting a monster, or horror in the show's parlance, made up almost entirely of breasts. It's a bit reminiscent of Edogawa Ranpo's novella The Blind Beast, where a man builds a room in his basement made up of oversized replicas of women's breasts and buttocks, and it's definitely not in the “sexy” category. It's also indicative of Sword's love of bosoms, as one of his less-desirable traits is to pray to the large breasts of women he encounters. At least he's not grabbing them.

More importantly, the ostensible heroine of the piece, Sophie, looks like an interesting character. While Sword appears to be all about kicking ass and looking at boobs, Sophie seems more complex. She's clearly on her own, and has been for some time. She's looking for something called “Eldorado,” which may or may not be related to the person she's also searching for. This is also a girl who can take care of herself: twice we see her fight off men who try to grab her, first with a drunk on the street whom she tosses with a judo move and later with the fortune teller Moon Wizard, who is actually a horror with a thing for redheads. Sophie, in a stunning move of common sense such as we rarely see in anime, knees him in the crotch and makes a break for it. She's not strong enough to fully fight him off herself, and she seems to know that – when she's over her head, she relies on Sword, even if it's clear that she's not sure she can trust him. But he also seems to be the most reliable adult she's seen in a while, as well as one of her first clear leads to Eldorado, so it looks as if he's going to be stuck with her for the foreseeable future.

Like all iterations of the Garo franchise, Sword, a Makai Knight, has access to the magic armor that allows him to kill horrors. What's interesting here is that he appears to prefer not to wear it unless he absolutely has to – instead Zaruba takes the form (or possession of; I'm not entirely sure) of a motorcycle, functioning equally as Sword's trusty steed and his weapon. It's an interesting change and it certainly says a lot about how Sword prefers to do things: with his bare hands and own power unless he needs backup. It makes he and Sophie a bit alike in that way, and I'm looking forward to seeing their interactions – and whether or not Sophie gets the other suit of armor.