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... Thursdays. ⏎ How was the first episode? ⏎Richard Eisenbeis ⏎ Rating: 4 ⏎ I know a lot of people these days are down on “in medias res” to start a story. (To quote Rick and Morty, “We should start our stories where they begin, not where they get interesting.”) But man, if any story did need to start in the middle, it's Moonrise. ⏎ The first part of this episode is an action set piece where our heroes defend a train on the moon from hordes of Terminator-style endoskeleton robots. The characters make use of the lunar gravity and crazy sci-fi technology in their fight. From weapons that change forms mid-battle to capes that act as boosters—changing their direction on the fly—it's super exciting to watch. It's a perfect way of setting expectations for what the series will become—which is important because the rest of the episode could not be more different. ⏎ Basically, we see that these badass gun fighters used to be a member of the ultra-rich, his girlfriend, and his entourage. Our lead, Jacob, is suffering from imposter syndrome and survivor's guilt. He's an orphan adopted by the richest couple in the world and feels like he doesn't deserve to be. Because of this, he distances himself from his adoptive parents and acts like a shallow rich-boy/screw up—sabotaging his own life as some kind of subconscious penance. ⏎ And, of course to give both motivation and pathos, just as he's ready to accept his adoptive parents, the world falls apart. The moon declares independence and destroys the power transfer system between the two worlds—blacking out the entire earth in the process. Then pieces start falling from space and a lot of people die—including his parents. It's one hell of a cliffhanger to end on—and one sure to make people check out episode two. ⏎ All in all, this is a great first episode. It shows both where our heroes come from and where they are going in spectacular fashion—and, more than that, makes their motivations clear. Now to find the time to watch the remaining 17 episodes. ⏎ James Beckett ⏎ Rating: 3 ⏎ I had completely forgotten that Moonrise was a Studio Wit production, but it didn't take me very long to figure it out. Within a minute or so of starting the first episode on Netflix, my first thought was, “This feels just like Kabaneri of the Iron Fortress, but in space, and with evil robots!” There's just something about getting a bunch of heroes into a cramped train compartment and forcing them to fight off hordes of enemies that never gets old, I'll tell you what. I suppose it doesn't hurt that Moonrise's production values are drop-dead gorgeous to behold. This is right up there with Lazarus and GQuuuuuuX with the season's most technically brilliant premieres, and this season is hardly lacking for contenders. ⏎ That said, there is something about Moonrise that left me feeling rather cold by the time the credits rolled on its premiere. After such a thrilling opening sequence, we spend most of the episode back in the days leading up to the conflict, where we get to meet a whole bunch of rich Future Yuppies in the days before they get swept up in the simmering Moon War. It's not a bad premise at all for a science-fiction yarn birthed from the brain of Tow Ubukata, he of Psycho- fame, but there's nothing about this story that really hooks me, yet. The characters are all vaguely likeable but systemically insufferable Pretty Cartoon Protagonist Types, and so much of the dialogue flows in one ear and out the other as exposition that is ostensibly important yet terminally forgettable. ⏎ This may partly be an issue of localization, which has the tendency to make the already blunt and too-obvious dialogue sound borderline parodic. The show is so determined to make Jack into the archetypal reluctant hero who has to shed his playboy ways to become the hero that the world needs, but goddamn if it can't even get through a single conversation without me gawking at some of these lines. At one point, Jack's father turns to the screen and says—and I quote—“Jack, I know you like to hide behind this reckless facade, but are you still ashamed of your adoption?” Later, a shocking encounter with some traveler from beyond the bounds of time and space ends with the stranger screaming, “I need your strength for the sake of the moon!” ⏎ There are only two explanations for this dialogue. The first—and most plausible—explanation is that the script for Moonrise simply isn't on par with its rock-solid animation. The second possibility is much more tantalizing, though: Moonrise was, in fact, written by Garth Marenghi. The almost spiteful refusal to even consider the possibility of relying on subtext would certainly make a lot of sense, in that case. Either way, I wouldn't expect a landmark tale of capital-g Great Science-Fiction from Moonrise, but it will still probably end up being a fun time fighting an army of evil moonbots. ⏎ Rebecca Silverman ⏎ Rating: 4 ⏎ The best science...